Appendix III.7.A.1
I-PSCmp
Museo Puccini, Celle di Pescaglia, Lucca
(
Carta V; see Critica 1976, 19.
)
1 leaf, 4° (32 x 28 cm) with 12 staves.
These figured basses very probably were written by Michele Puccini Jr. as the model for an exercise in realizing figured basses.
1)
Corrente: figured bass of the Corrente from Arcangelo Corelli’s Trio Sonata, Op. 4 No. 3, in A major, 3/4, 49 bars (Critica 1976, no. A 8). Fully realized versions of this music (with many corrections in a different handwriting) are found in TMP (old indications: D 9 d and D 17 f/g).
2)
Largo: figured bass of the Sarabanda from Arcangelo Corelli’s Trio Sonata, Op. 4 No. 3, in A major, 3/2, 17 bars (Critica 1976, no. A 8). The fully realized version of this music (with many corrections in a different handwriting) is found in TMP (old indication: D 17 i) with the indication “Grave."
3)
Figured bass of most of the Preludio from Arcangelo Corelli’s Trio sonata, Op. 4 No. 10, in G major, 4/4 and alla breve, 35 bars (Critica 1976, no. A 9). The realized version of this music (with many corrections in a different handwriting) is found in TMP (old indication: D 17 g/h) with the indication “Corrente.”
4)
Figured bass of the final Adagio of the Preludio from Arcangelo Corelli’s Trio sonata, Op. 4 No. 10, in G major, 3/2, 4 bars (Critica 1976, no. A 9). The realized version of this music is found in TMP (old indication: D 20 e).
5)
Figured bass of the Preludio from Arcangelo Corelli’s Trio sonata, Op. 4 No. 3, in A major, 4/4, 18 bars (Critica 1976 , no. A 9). The realized version of this music (with many corrections in a different handwriting) is found in TMP (old indication: D 17 e) with the indication “Largo (Preludio)."