84ⁱⁱ. Suor Angelica
TIME OF ORIGIN
End of February – middle of September 1917
Later additions: up to October 1918
PERFORMANCES
First performance: 14 December 1918 at the Metropolitan Opera, New York.
Cast: Geraldine Farrar (Suor Angelica), Flora Perini (Zia Principessa), Mary Ellis (Suor Genovieffa); conductor: Roberto Moranzoni.
First performance in Puccini’s presence (first performance in Italy): 11 January 1919 at the Teatro Costanzi, Rome.
Cast: Gilda Dalla Rizza (Suor Angelica), Matilde Blanco Sadun (Zia Principessa), Assunta Gargiulo (Suor Genovieffa); conductor: Gino Marinuzzi.
First performance of the revised version: 10 May 1919 at the Teatro della Pergola, Florence.
Cast: Ersilde Cervi Caroli (Suor Angelica), Elvira Casazza (Zia Principessa); conductor: Gaetano Bavagnoli.
First performance of the definitive version: 29 January 1922 at the Teatro alla Scala, Milan.
Cast: Maria Carena (Suor Angelica), Elvira Casazza (Zia Principessa), Anna Masetti Bassi (Suor Genovieffa); conductor: Ettore Panizza.
LIST OF CHARACTERS
Suor Angelica (Soprano)
La Zia Principessa (Contralto)
La Badessa (Mezzo-soprano)
La Suora Zelatrice (Mezzo-soprano)
La Maestra delle novizie (Mezzo-soprano) Suor Genovieffa (Soprano)
Suor Osmina (Soprano)
Suor Dolcina (Soprano)
La Suora Infermiera (Mezzo-soprano)
Le Cercatrici (Soprani)
Le Novizie (Soprani)
Le Converse (Soprano and Mezzo-soprano)
Chorus: Children, Soprano I, II, III, Tenor, Bass.
INSTRUMENTATION
Piccolo, 2 Flutes, 2 Oboes, English horn, 2 Clarinets, Bass clarinet, 2 Bassoons, 4 Horns, 3 Trumpets, 3 Trom- bones, Bass trombone, Timpani, Triangle, Cymbals, Bass drum, Glockenspiel, Celesta, Harp, Strings; Bronze bell onstage [Campanella di bronzo sulla scena]; Backstage: Piccolo, 2 Pianos, Organ, 3 Trumpets, Bells, Cymbals.
LITERATURE
Adelmo Damerini in Centenario 1958, 84-88; Hopkinson 1968ì, 43-45 and 48-50; Gherardi 1977, 307-11; Leukel 1983; Schickling 1989, 304-09 and 324-26; Mandelli 1993; Girardi 1995, 365-79; Fairtile 1996; Dotto 1998; Budden 2002, 391-405.